For this week’s blogging, please choose one of the below quotations from Nichols’s Intro to Documentary to explain and discuss. Click on Comment below this post, copy and past the quote or part of the quote you choose, and then write your response. You may find it helpful to discuss one or more of the films we’ve watched in your response. Completing this will constitutes the blogging for this coming Tuesday. Some of you are still rather behind on blogging, so if that’s the case,feel free to comment more and/or write your own post on something else.
- “Observational documentary de-emphasizes persuasion to give us a sense of what it is like to be in a given situation but without a sense of what it is like for the filmmaker to be there, too. Participatory documentary gives us a sense of what it is like for the filmmaker to be in a given situation and how that situation alters as a result.” (181)
- “How do filmmaker and social actor respond to each other? Does a sense of respect, despite disagreement, emerge, or is there a feeling of deception, manipulation, distortion at work? How do they negotiate control and shared responsibility? How much can the filmmaker insist on testimony when it is painful to provide it? What responsibility does the filmmaker have for the emotional aftermath of putting others on-camera? What goals join filmmaker and subject and what needs divide them?” (182)
- “The interview stands as one of the most common forms of encounter between filmmaker and subject in participatory documentary. Interviews are a distinct form of social encounter. They differ from ordinary conversation and the more coercive process of interrogation … these forms all involve regulated forms of exchange, with an uneven distribution of power” (189-190)
- “Reflexive documentaries also tackle issues posed by realism as a style. Realism seems to provide unproblematic access to the world; it takes form as psychological, and emotional realism through techniques of evidentiary or continuity editing, characters development, and narrative structure. Reflexive documentaries challenge these techniques and conventions.” (195)

